Here’s the original design, using the turtles and flowers of Kauai.
We’ve had this quilt on our bed for about 5 years. I think it’s the third quilt I ever made, done all in my hand-dyed fabrics, and I’m quite attached to it. I’m still amazed that I took on this project when I had minimal sewing/quilting skills and was sewing on a cheap Singer sewing machine.
In this earlier post I showed how easy it is to create a seamless repeat in Illustrator. Using a design I created for another contest on Spoonflower, I’ll show how quickly a design can be converted to a half-drop repeat.
First, here’s a comparison of a straight repeat (on the left) and a half-drop repeat (on the right). The diagonal movement in the half-drop repeat is created by shifting each repeat unit (one star in the example) vertically by 50 percent compared to its neighbor.
While I like the colors, the design seems boring. I decided to try adding lots more layers of daisies to fill in all the spaces. I made this first attempt by duplicating the layer and moving it–just to see if the idea might work. Continue reading
Another week, another fabric design challenge… Spoonflower and Robert Kaufman Fabrics are sponsoring the Fabric8 contest. The challenge is to create a modern fabric design that evokes the style of pen & ink drawings colored with watercolor paints. This isn’t my usual style, so I thought it would be a good challenge to tackle to stretch myself.
When I think of modern fabrics, I think of bright colors and bold styles–again, not exactly what I’d picture for pen and ink drawings colored with watercolors. So, anyway, here’s my interpretation of the theme. Continue reading
In a recent post I showed how I created “Urban Sunset”–a repeat design for a fabric design contest. I really liked the design and thought I’d try to create a non-repeating design that I could print on fabric and then turn into a whole cloth quilt. My plan is to create a design that’s about a yard wide so I can have it printed at Spoonflower on a full yard of fabric.
Here’s the ‘brick’ brush I created in Photoshop. It’s slightly different from my earlier post in that I cleaned up the edges a bit. I used only this brush in all the designs.
In a previous post I talked about simulating the look of a Tartan plaid using Photoshop Elements. The same technique can be used to create a digital version of other weave patterns. I won’t go through all the steps which were covered in the earlier post, but the basic steps are:
- create one unit of the repeating pattern (I do this using the rectangle tool in Photoshop)
- define it as a pattern in Photoshop (Edit ==> Define Pattern)
- use the pattern to fill another object with the repeating pattern (Edit ==> Fill)
- select and change the colors as desired
Houndstooth is a popular pattern lately, and easy enough to create digitally. Continue reading
Recently Spoonflower and the Textile Center in Minneapolis, MN sponsored a design contest called Urban Sightings. The aim was to design a fabric using, as inspiration, photos taken of the neighborhood around the Textile Center .
There were six photos, and I used the five below as my inspiration.
I used the photo of bricks to create a brush in Photoshop. Continue reading
In earlier posts I’ve talked about doing seamless repeats in Photoshop. Making an Illustrator design into a seamless repeat is also quite straightforward. And, since Illustrator designs are vectors, they can be infinitely scaled without losing any detail.
I’ll go through the steps using this really simple design. In the picture below, the artboard bounds are defined by the white square, and this will also be the bounds for the repeat design.
Traditional batik designs are created by placing hot wax patterns on fabric, and then dyeing the fabric. The wax resists the dye and keeps the fabric beneath the wax the original color. Dharma Trading has a colorful and fun explanation of creating batiks here.
The batik effect is easy to simulate in Photoshop, and the resulting image can be printed on fabric or used anywhere you need a seamless repeating pattern. Continue reading