This week’s Spoonflower design contest is to create a Mod wallpaper design, using only 3 colors (plus black or white optional). When I was a teen, I had one wall of my bedroom papered with an op art design (much like this one by Alberto Biasi), and though I’m not sure it fits in the Modernist Subculture, I decided to go with an op art inspiration for my design.
Spoonflower and Robert Kaufman Fabrics are sponsoring a fabric design contest with the theme being “Geek Chic”. As a chemical engineer in a previous life, I have a lot of practical experience with geeky things, so I had tons of design ideas to start with.
I thought I’d do something with chemical symbols, but I couldn’t come up with anything that seemed like an interesting design. I drew a number of geeky accoutrements, including the ties, test tube, sneaker and glasses below.
Another week, another Spoonflower design contest. This one is in partnership with the publishers of the series of books called One-Yard Wonders — sewing books with projects you can make with one yard of fabric. They’re putting together a new book aimed at projects to make for children. The contest was to design a girl’s tee shirt with the theme “Under the Sea”, and the winning design will be in the new book. The pattern for the tee shirt was provided.
With Under the Sea as the theme, I immediately though about doing a version of a Hawaiian shirt, using the turtles that I’ve used in a quilt design and in a chevron pattern for another contest. Continue reading
For this week’s fabric design contest Spoonflower partnered with the Nasher Museum of Art at Duke University with the theme of designing a textile that would look at home in a Matisse painting. They included these examples as inspiration.
I’ve always like Matisse’s cutouts and thought I’d try something in that style. This web site about Matisse has a great overview of his cutouts, and this is what the National Gallery of Art says about the cutouts:
During the last fifteen years of his life, Henri Matisse developed his final artistic triumph by “cutting into color.” The drama, scale, and innovation of Matisse’s rare and fragile papiers coupes (paper cutouts) remain without precedent or parallel. His technique involved the freehand cutting of colored papers into beautiful shapes, which he then pinned loosely to the white studio walls, later adjusting, recutting, combining, and recombining them to his satisfaction. The result created an environment that transcended the boundaries of conventional painting, drawing, and sculpture. Continue reading